panasonic, sony, fuji, canon, video cameras, lenses, movies, film industry, advertising, art supplies, photography, mac, dell, final cut pro, avid, editing software, preimere, photoshop, adobe, flash, broadband, video, film and video, computers, ipods, art world, artist, painting, media, newmedia, new media, media art, video art, hollywood, museum, gallery, new york, paris, london, beijing, tokyo, los angeles, art net, art slant
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Rhizome.org Artwork
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Rhizome.org Recently published User Artworks
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SELF
The art space stripped bare faces its observers freed
from the essential prerequisites of
a modern exhibition space, such as artificial lighting,
neutral hanging surfaces
and an electricity supply. The electric cables
are laid bare, jutting out like arteries from a
dissected body. All of the internal routes for
audio, video and the Internet are combined
in a closed system forcing, as it were, all
the processes involving data into one circuit
within the space-machine.
Only now, rid of its supporting functionality,
is the suppressed identity of the space, the
self, visible.
Judith Fegerl shows the art space as an architectural and energy-providing shell for art objects, as a body without organs ? like her human-machine units. The Kunstraum is hollowed out and opened at several places. The electric cables jut from the ceiling, walls and floor, rendering the inner life of the machine visible, and looking like the arteries of a dissected body. With SELF Judith Fegerl reveals a machine that normally leads a discrete existence in the background, and allows us to gaze deep into this body. She has undressed the Kunstraum and allowed it to show its self.
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Sunset Solitaire
Sunset Solitaire is a performance/video/game. I wrote a program and built custom hardware that let me mix the sunset, live. I then projected with a video projector, from my computer onto a garage in a field behind my studio. As the sun set behind the building I attempted to match the color of the sunset with the projector. I did this for several days (you only get one attempt per evening of course). Each time I would go back to the studio and fined tuned the software, and each time my skills got a little better.
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Lazy World Of Ideas.com
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Silence is golden - A twitter perpetual intervention
A perpetual twitter status updating. Enjoy the silence.
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Windows Real
With Windows Real users can experience a absolutely new User Interface. It was the result of an interface seminar I gave at Merz Akademie Stuttgart in summer 2007.
The project was presented by:
Christoph Brandin and Marc Neubauer
User — David Ikuye
Icons (in order of booting):
Internet Explorer — Paul Steinhilber
Computer — Thilo Schulz
My Files — Isabel Reuter
Recycle Bin — Emanuel Schädler
Taskbar — Marc Neubauer
Mouse Cursor — Benjamin Wingert
New Folder: Alexander Schlegel
MP3 file — himself
File Sharer — Benjamin Wingert
Fredo — Christopher Molka
Bluescreen — Marc Neubauer
Continuity: Ingo Kollek
Camera: Tobias Mikl
Directed by: Julia Doktorowski
Montage: Tobias Mikl
Supported by: Julia Doktorowski, Ingo Kollek and Isabel Reuter
Audiovisual Systems:
Christopher Molka, Marc Neubauer, Christoph Brandin and Paul Steinhilber
Storyboard:
Julia Doktorowski, David Ikuye, Paul Steinhilber, Alexander Schlegel and Isabel Reuter
Icons created by:
Thilo Schulz, Christopher Molka, Tobias Mikl, Ingo Kollek, Emanuel Schädler, Benjamin Wingert
Location Scouts:
Christoph Brandin and Marc Neubauer
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Defence
Defence is a selection of five shields extracted from the graphical user interface of Windows Vista. Especially when User Account Control is on, messages with these shields regularly pop up, questioning the user's ativities.
The have a grasp at the back so that they can be used in sword fight or other combat.
The Defence shiels are made of aluminium and are 50 by 42 cm in size.
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Date Paintings (YouTube)
The conceptual artist On Kawara has produced an ongoing series of "date paintings" (the Today series), which consist entirely of the date on which the painting was executed in simple lettering set against a solid background. If the painting could not be completed on the day it was begun, it was destroyed.
Date Paintings (YouTube) differs in that the date which comprises the work is auditory instead of visual, comprised of a text-to-speech file read by the computer and uploaded to YouTube. Here, the "painting" becomes an ephemeral object, the memory of the read-aloud date replicating the memory of the destroyed paintings On Kawara could not finish on a given day...
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New Work #30
New Work (ongoing) is an exploration of visual language and process. In a sense it is an examination of how we see, what we see, what merits being seen, and how images function in contemporary visual culture. New Work is an acknowledgement of the image-maker as the mediator of sight and an exploration of process and practice in contemporary image viewing and production. These images are a continuation of ongoing research / meta-photographic critique concerning the visual and conceptual processes of image comprehension.
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Given Time
Given Time simultaneously activates and performs two permanently logged-in Second Life avatars, each forever and only seen by and through the other. They hover in mid-air, almost completely still, gazing into one another?s interface. Viewers encounter this networked partnership as a diptych of large-scale and facing video projections in a real world gallery, both exhibiting a live view of one avatar, as perceived by the other. To create a visceral aesthetic, these custom-designed and life-sized ?bodies? are hand-drawn in subtly animated charcoal, graphite and pastel. The audience is invited to physically walk between them; they?re able to hear and see them breathing, witness their hair blowing in the wind, pick up faint sounds such as rushing water or birds crying out from the surrounding simulated environment. Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time?s inevitable flow.
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AnthroPosts
AnthroPosts organizes a growing collection of found Post-it notes in a variety of views, which colorful and symmetrical, evoke the simple beauty of a mandala. The project also features sound recordings of anonymous online workers (solicited through Amazon's Mechanical turk) reading the notes. The inferred significance of these notes contrasts our current age of shortened communication "bursts", and causes the viewer to find a new appreciation in the individuality of the notes themselves. Additionally, he is provided with a renewed perspective on contemporary society: it's pace and consumption, and the double-edged sword of technology, at once enabling communication and isolating (some of) us from one another.
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