The art collective Artists Meeting presents an evening of video
curiosities: found, outsider and accidental video art, culled from
youtube, and spun into triptychs using You3b.com.
Video
triptychs involve three simultaneous video loops projected side by side
on the gallery wall. While formally simple, the effect of the looping
sequences, overlapping sounds and awkward juxtapositions is uncanny and
unsettling. This is due to the slippery dis-harmonization of clip
lengths, and the conceptual layering of the elements within the videos.
For this 2nd youtube video show at Postmasters Gallery, the
curators Thomas Hutchison, Maria Joao Salema and James Andrews have
selected dozens of examples of original U3B triptychs created by
members of Artists Meeting.
Artists Meeting is a New York City
based art collective. Since it's official start in 2006, they have had
public art projects in Conflux 2008 and the Dumbo Arts Festival 2007. http://www.artistsmeeting.org
You3b
is a tool that allows users to make triptychs out of YouTube videos. An
Eyebeam project conceived by Jeff Crouse, produced by Jeff Crouse and
Andrew Mahon and designed and coded by Andrew Mahon. http://www.you3b.com, developed along with the cool folks at Eyebeam.
Ministry of Culture, Russian Federation
National Center for Contemporary Arts, Ekaterinburg branch
in collaboration with International Fine Arts Consortium and Perpetual Art Machine (PAM)
Presents
Walking a Fine Line
Parables of the Sublime and the Subversive in Russian Video Art.
January 9 (Friday), 7:30pm
Monkey Town:
58 N 3rd St. (btw. Kent & Wythe), Williamsburg, Brooklyn 11211
Admission: $5, $10 minimum, reservations are recommended
NCCA Ekaterinburg Curator,
Ksenia Fedorova will be introducing the program and discussing the work of each artist. Questions will be taken after the screening. So if you want to learn a little about new Russian video art you should be sure to RSVP now because seating is be limited.
The program showcases the recent Russian video art works that reflect complex and controversial attitude towards the phenomenon of the sublime in Russian culture and mentality. Artists confront mystification and sacralization, engagement and spiritual detachment with strategies ranging from epatage to derision, eccentricity, and radical activism. Whom to blame? What to do? The viewer is invited to ponder upon these and other perennial “Russian” questions and find his/her own “fine line” of authentic response.
Research on characteristics of national and local identity is one of the main foci of the Ekaterinburg NCCA. The search for identity in post-Soviet Russian society and the development of a new value system have been raised in interdisciplinary projects like “Novorusskoe (The Nouveau Russian)” (2005), “In Transition Russia 2008”, videoprogram “Dreams in the Epicenter” (2007), and others.
The penchant to extremes, paradoxicality, and irrationalism have become stereotypical characteristics of "Russianness". In such a way, contemplative submersion sometimes rather easily turns into subversion, a response of blunt satire or heavy-handed irony. The fact of contemporary reality is that the radical “other” is embedded into the surface of what is already here, which is none other than the everyday, the event of life itself. Shifting perspectives, whether as a radical gesture, or just slightly, we are all groping to find that most authentic fine line that connects the limit and its beyond, the spiritual self and the social other. Russian contemporary artists demonstrate how a national feature speaks the common (universal) truth.
Artists: Leonid Tishkov, Blue Soup Group, Vladlena Gromova, Vladimir Logutov, Bombily Group, Alexey Buldakov, Yury Vasiliev, Victor Davydov, Victor Alimpiev, Veronika Rudyeva-Ryazantseva, Provmyza, Blue Noses Group.
Janet Biggs
Vanishing Point
single-channel video, 2009
With its title taken from Richard Sarafian's 1971 road movie, Janet Biggs' new video Vanishing Point looks at the ways in which an individual vanishes. Informed by her experiences with the effects of Alzheimer's disease, Biggs asks, "When are we no longer ourselves?" Combining images of motorcycle speed record holder Leslie Porterfield on the salt flats of Utah with Harlem's Addicts Rehabilitation Center Gospel Choir performing a song written specifically for the video, Biggs' Vanishing Point examines the struggle to maintain one's identity, the roll of those who witness that identity vanishing, and a search for freedom that can end in destruction or transcendence.
Leslie Porterfield is fast. After a devastating crash on the Bonneville Salt Flats at over 100 mph in 2007 she returned in 2008 and broke three world records with a top speed of 234 mph. Filmed during these record breaking runs, Biggs' captures Porterfield's intense focus when everything is stripped away but the desire to be the fastest in the world.