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Streaming Museum exhibits "Cross-Korea"
Written by Perpetual Art Machine   
Tuesday, 18 August 2009

Streaming Museum exhibits "Cross-Korea"
Korean moving image from 1930s - 2009,

at launch of Tomorrow City, Asia's First Digital City,
Song-do, Incheon, Korea

The Hand of Destiny (Han Hyung-mo,1954)
David Bowie & La La La Human Steps in Wrap Around the World,1988
Cradle Song-Blue Fish, 2009 Kim Joon


New York,NY--Streaming Museum, a new hybrid museum that exhibits the arts in cyberspace and pubic spaces on 7 continents, is commemorating the launch of Tomorrow City, Incheon, Korea, Asia's first digital city, with the exhibition "Cross-Korea: Come Join Us, Mr. Orwell". The exhibition, which will be on view August 7 - October 25 in Tomorrow City's Open Theater and viewed internationally, presents a collection of Korean moving image from the 1930s to 2009 curated by Art Center Nabi, the Nam June Paik Art Center and the Korean Film Archive. Dooeun Choi, curator of Art Center Nabi, explains, "Streaming Museum takes the exhibition 'Crossing-Korea' on a trans-continental journey. The hope is that through creative communication and culture exchanges between ten different countries in seven continents, through the open window - Tomorrow City's Open Theater electric sign - we'll discover and meet the worldwide community in our future city."

Korean Film Archives
Korean Film Archives is the only institution in Korea that nationally collects, preserves, and utilizes valuable cultural heritage films. Opened in 1974, Korean Film Archives is currently working to preserve cultural heritage films. establish a film library of up-to-date multimedia, a cinematech movie screen, and Korean film museum to create a place ‘where every movie in the world exists.' The Archives has curated for "Cross-Korea" a collection of work entitled "Film and City: Seoul landscape, from Kyungsung to Seoul" that illustrates both the fascination and resistance against the modern period portrayed in the Korean films that were produced during the 1930s to 1950s when colonization and war existed. For information on the flimmakers and film titles exhibited go to streamingmuseum.org

Nam June Paik Art Center
Nam June Paik (born 1932 in Seoul, died 2007 in Miami) was one of the most important artists of the 20th century. A trained composer, Paik was first a performance artist and later initiated TV art, Video art, Satellite art and Laser art. The Nam June Paik Art Center, in Yongin, a city on the outskirts of Seoul, is supported by the Gyeonggi Cultural Foundation and Gyeonggi Province. The Center opened its permanent building in April 2008. Under the current director, Young Chul Lee, it aspires to reactivate the experimental and interventionist spirit of 20th century and contemporary art practices in order to become a locus where aesthetic, political and social potentialities contribute to questioning and redefining the relationships between art, philosophy, media and life
. The Center has curated for "Cross-Korea", "Nam June Paik: Electronic Performance" - a compilation of excerpts from videos he created with the video synthesizer, a machine he invented to juxtapose and manipulate images, always including elements of performance and featuring important artists of his time such as David Bowie, Joseph Beuys, Merce Cunningham, and Charlotte Moorman.

Art Center Nabi
Since its opening in 2000, Art Center Nabi has actively promoted new media arts in Korea. Exploring new possibilities of creation, education and exhibition of media arts. Art
Center Nabi has been in the forefront of the convergence of art and media technologies of our time, developing new and effective ways to disseminate media arts to the public at large. Balancing creativity with critical perspectives, the Center seeks to contribute to the humanity and diversity of techno-culture today. Art Center Nabi has curated for "Cross Korea," "Digilog(ue) - a selection of work created in the past year by exceptional Korean media artists, Kim Joon, Hansol Huh. Joo Myoung Song, and Keryoon Han.

Go to streamingmuseum.org to view the exhibition and for information on the artists and location schedules.


..Tomorrow City Open Theater, Song-do, Incheon, Korea


Contact:
Nina Colosi
Founder / Creative Director, Streaming Museum
This email address is being protected from spam bots, you need Javascript enabled to view it

Streaming Museum (streamingmuseum.org) is a new hybrid museum that presents multi-media exhibitions in cyberspace and public spaces on 7 continents. Launched January 29, 2008 by Nina Colosi, the museum is produced and broadcast in NYC, with exhibitions generated in collaboration with international cultural, educational, and public centers; artists curators and visionary creators. The museum was inspired by Nam June Paik who in the 1970s envisioned the Internet, predicting an "information superhighway" as an open and free medium for imagination and exchange of cultures. Sponsors are FJC Foundation - A Foundation of Philanthropic Funds, and ONSSI. The museum is a member of the International Urban Screens Association.


Last Updated ( Tuesday, 18 August 2009 )
 
Artists Meeting - Art Machine on kickstarter.com
Written by G.H. Hovagimyan   
Friday, 17 July 2009

 

Artists Meeting is testing out a new fundraising site called kickstarter.com.  We have a project called Artists Meeting - Art Machine that we are developing to be shown in Art Fairs. It is an Art Automat.  We're asking the art community to donate small sums to build this piece.  The upside is that you get valuable prizes if you contribute on the Kickstarter site. 

 



Last Updated ( Monday, 28 September 2009 )
 
Art Lies
Written by Nan Tohchoodee   
Thursday, 23 July 2009

Art Lies

Cover Image: Aleksandra Mir
Plane Landing in Paris, October 20–23, 2008;
Courtesy Laurent Godin Gallery, Paris

Art Lies
Disruptors

Issue No. 62, Summer 2009

http://www.artlies.org

 


Issue No. 62: Disruptors

It has recently been proposed that we, as a society, are entering a "post-post-9/11" era.

While this does appeal to me in a certain sense (as in, I may not have to endure the aroma of untold, unshod pairs of feet every time I travel), I find the impetus for such a proclamation totally irresponsible. I don't know if I am suffering from an ideological hangover, but I do think this is premature postulation. A significant rhetorical change has certainly come with Brand Obama, but real social change occurs at a glacial pace—a never-ending source of frustration for politicos and provocateurs alike—and it is the latter that most concerns me.

The nature of provocation has certainly changed since my youth, a time of Act Up, the Culture Wars, "Take Back the Night" marches and the UT-16. Today, sophists breed like rabbits in the blogosphere, and outright radicality exists online, several removes from lived experience and real emotions. So what form must dissent take to be effective in the context of contemporary art in this "post-everything" age? The answer is as always: by whatever means necessary. Today's provocateurs need not be overtly political; they simply must exist. This issue of Art Lies is dedicated to those who make the aesthetic and occasionally amoral choice to dissent—to disrupt societal norms, whether via the quiet splice of an image or a supersonic boom.

Everything changes and nothing changes. This is the burden of the present and all eras—but that can have fringe benefits. Such an existential paradox makes this current moment the most fertile ground for disruption since the halcyon days of the Reagan era (a dissenter's wet dream). It is high time to draw on our rich and subversive history as artists/thinkers/critics, lest we forget the past. There are any number of issues that cry out for soapboxes, bully pulpits and fuse lighters. For those who truly possess the will to provoke, the present appetite for change could be nothing less than a free-for-all.

-Anjali Gupta, Executive Director | Editor

Purchase Current Issue: http://artlies.org/content.php?id=21&s=4

Feature Contributors:
Eric Anglès
Nathalie Anglès
Renaud Auguste-Dormeuil
Elena Bajo
Mary Ellen Carroll
Asli Cavusoglu
Anjali Gupta
Seth Maxwell Malice
Warren Neidich
Jakob Schillinger
Jason Jay Stevens
Gary Sweeney
Jennifer Teets
Michelle White

With artwork by: Renaud Auguste-Dormeuil, Mary Ellen Carroll, Asli Cavusoglu, Jeremy Deller, EXHIBITION, Harrell Fletcher, Aleksandra Mir, Gareth Spor, Survival Research Labs and Gary Sweeney.

Online Feature: Manon Slome on The Aesthetics of Terror

Reviews Include:
Austin – Kate Green on Lisi Raskin
Berkeley – Isaac Amala on Human/Nature: Artists Respond to a Changing Planet
Dallas – Charissa Terranova on Richard Patterson
El Paso – Alison Hearst on Tania Candiani and Regina José Galindo
Houston – Kurt Mueller on Jeremy Deller
Los Angeles – Tucker Neel on Kerry Tribe
New York – Keri Oldham on Nick Cave
New York – Marie-Adele Moniot on Matt Sheridan Smith
Paris – Lillian Davies on Ian Pedigo
San Antonio – Ben Judson on Jeffrey Gibson

Online Review: Valerie Cassel Oliver on Thunderbolt Special: the Great Electric Show and Dance after Sam Lightnin' Hopkins at Project Row Houses


Cover Image: Aleksandra Mir, Plane Landing in Paris, October 20–23, 2008; courtesy
Laurent Godin Gallery, Paris


Purchase Current Issue: http://artlies.org/content.php?id=21&s=4

Subscribe Today: http://artlies.org/content.php?id=3&s=3


Upcoming Art Lies Events:
Issue No. 62 launch and film screening at Creative Research Laboratory
Friday, July 31, 8 – 10 pm
Austin, TX
http://uts.cc.utexas.edu/~crlab/

Issue No. 62 launch and whipped cream photo shoot at Unit B
Saturday, August 15, 7 – 9 pm
San Antonio, TX
http://unitbgallery.com/

Artelibro Book Festival
September 24 – 27, 2009
Bologna, Italy
http://www.artelibro.it/demo/en/


Upcoming Issue:
Issue No. 63—False Positives with Guest Editorial Contributor Barbara Perea, Independent Curator, Mexico City

Art Lies is available in the United States at independent bookstores, museums and select Barnes & Noble locations, and internationally via the Web at http://www.artlies.org.

Founded and rooted in Texas, Art Lies provides an international forum for the critical examination of artistic practice, theory and discourse on and about the contemporary arts. Art Lies achieves its mission through the publication of a quarterly journal, our Guest Editorial Program, website, membership events and public programming, including the Art Lies Distinguished Critic Lecture Series. Art Lies is funded in part by The Andy Warhol Foundation for the Visual Arts, Houston Endowment Inc., The Brown Foundation Inc., Tocker Foundation, National Endowment for the Arts, Texas Commission on the Arts, Houston Arts Alliance and our members.

Subscribe now at http://www.artlies.org

Art Lies | POB 1408, Houston, TX 77251-1408 | 832.366.1388 | This email address is being protected from spam bots, you need Javascript enabled to view it



Last Updated ( Friday, 24 July 2009 )
 
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