| Short Bio: |
J.D. McPherson, Jr. was born and raised on a small cattle ranch in Buffalo Valley, Oklahoma. Frequent visits with the late abstract expressionist painter John W. Randolph sparked his interest in the contemporary arts.
In high school, he began creating video tapes and two-dimensional works as well as working with sound elements.
J.D. currently works in such mediums as video, installation, performance, painting, drawing, and music. Concepts fueling his work include regional mythology, strawman geology, card magic, pop culture, and the notion of forging memories and identity through repetitive physical labor.
STATEMENT / CURRENT ISSUES:
When the hand repeatedly performs an action, it acquires a memory. When a hand puts the memory to use, It dignifies the memory.
Wandering through the woods surrounding my family ranch, I remember hearing of volcanic Tuff being discovered atop Buffalo Mountain.
I remember the day I found a small hill in a clearing with a single white pine tree growing on it, a place I never found again in 15 years, on those 140 acres.
I remember hearing coyotes, breathing and scuffling outside my tent.
I remember floating on the Narrows of Sardis Lake, with water moccasins darting through the early-morning mist on the surface of the water.
Of all memories from my early life, these types are really the only vivid ones.
I find these impressions of the wooded area* between Buffalo Mountain and the Potato Hills in Southeast Oklahoma to be the source of an idealized identity I would eventually claim for myself. The process of discovery through woodshedding and activity provides a mechanism to reclaim/remold these memories, and forge new ones to fill in the gaps.
* Decimal Degrees: Latitude: 34.73222 Longitude: -95.24556
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